Fakir mohan senapati jibani in odia | fakir mohan senapati life history in odia

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Fakir Mohan Senapati Jibani in Odia

Fakir Mohan Senapati was an Indian litterateur, philosopher, social reformer. Odisha was taken over by the British in 1803. And was incorporated into a transnational economic system soon thereafter. Senapati's consciousness developed in a state context. Where an Oriya cultural identity like many other minority identities in history was in danger of disappearing. What he got for literary fame was less than the need to protect and protect the language of the people around him.

Fakir mohan senapati jibani in odia

There was a measure of idealism that inspired him, no doubt, but the Senapati had a very clear idea for the strategic interests of the various groups.

He clearly understood that if instead of Orissa, Bengali became the official medium of communication in Orissa, then at least the future of the Oriya middle class was bleak. The general's concern with language as a social force - its seductive power, its authority.

Its abuse - clearly stemmed from the struggles he was drawn into too early in his life, to save a language and culture and struggle to save.

Fakir Mohan Senapati was intellectually restless and courageous and had more of a reformer spirit than a writer in search of literary fame. He grew up in a part of colonial India that was barely registered in the consciousness of the Viceroy and his officers.

But it is from this particular point of view that he created a unique synthesis of the traditional and the contemporary, a synthesis whose power and precedent are relevant today. Criticism of the commander was never negative; It was based on a fundamentalist humanism's vision of religious equality and cultural diversity, fed by different religious traditions.

Fakir mohan senapati life history in odia language

Fakir Mohan's sense of humor and irony has been unsurpassed in Oriya literature and it is his distinctive style that made him popular with a wide range of readers. He believed that faith, penance, love and devotion were the four pillars that formed the basis of "dharma". His faith in Islam, asceticism from Buddhism, love for Christianity and devotion to Vaishnavism was due.

Fakir Mohan completely abandoned the traditional theme of romantic love between prince-princesses and wrote about common people and their problems in his novels. In contrast to the Sanskritic style of his contemporaries, he also used the colloquial idiomatic Oriya with great skill and efficiency in his writings. If the works of earlier novelists looked like prose renditions of medieval poets, then the novels of Fakir Mohan were realistic to the core. He can be compared with 20th century novelists like Premchand and Vibhutibhushan Banerjee.

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Fakir Mohan is considered to be the greatest prose writer of Oriya literature. But it is worth noting that he hardly wrote any prose till he retired from administrative service. He translated Ramayana, Mahabharata and some Upanishads from the original Sanskrit, for which he is known as "Vyasa Kavi". He also wrote poetry, but the subject of his poems was not considered to be the traditionally fit material for poetry. He used the colloquial, spoken and rugged language of the common man, which no poet in Oriya had done for centuries. Fakir Mohan wrote four novels, two volumes of short stories and an autobiography. In addition, he mastered the art of writing short stories, for which he is also known as Katha Samrat (Emperor of Shortstories) in Oriya literature.